The Road to Rohatsu

Ryutan’s Candle and Kenosha

Mumonkan Case 28

The original Chinese Goang

Longtan Chongxin (Dragon-Lake): Because Deshan Xuanjian asked more and more and night arrived, Tan said, "The night is deep. Sir, why don’t you go to lie down?"

Shan thereupon gathered his precious baggage, hoisted the [door] blind, and then exited. He saw the outside was pitch dark, withdrew, turned around, and said, "Outside is pitch dark."

Tan then lit a paper measuring candle and gave it to him.

Shan intended to accept it, but Tan then blew it out.

I was driving from Santa Fe to Crestone with Baker Roshi for my first Rohatsu sesshin. It was going to be just Baker and me for the four-hour drive. I was assigned a lot of packing tasks; his instructions were very exacting. I remember quite clearly that I had to fit the large densho bell into the trunk of the car. There were other bells and zendo items that were needed to keep the schedule and turn the Wheel of the Dharma. 

It was probably between 4 and 5, and already getting dark when we drove out Cerro Gordo Road. We were due by 9 to formally open the sesshin; I thought that we might have been late, but Baker Roshi knew the route very well and had the trip planned to the second. I’d heard about his legendary fast driving but felt reasonably comfortable.

We talked about Phil Whalen, Issan, the Hospice, and food. Then the conversation turned to losing normal mental ability, Alzheimers, and AIDS dementia. I was somewhat concerned about Issan’s losing his faculties during the last phase of his disease and asked about the effect of meditation and the blurring of our normal sense of time. I spoke of one guy in the Hospice who couldn’t even remember the past of 5 minutes ago and was completely unable to foresee any future. Given that he was a dying man, it actually seemed to be a blessing.

Baker told me that I probably shouldn’t worry too much. He mentioned something one of his old friends in Japan, Nanao Sakaki, the godfather of Japanese hippies, said when his memory was fading after he crossed 80 years, “I can’t remember what I didn’t need to know anyway.” 

I asked David Chadwick if he remembered if he had any more details about Nanao's condition. David pointed me to a conversation he had with Nanao before he died. David talked about a mutual friend who had colon cancer. Nanao seemed to follow the conversation but asked the same question several times, “What did he have?” "Shiri," David repeated, patting his butt, but said that he’d already answered the question.

Nanao wasn't fazed. "Kenbosho," he said. "I have kenbosho." David asked if that meant senility or Alzheimer's. Nanao wasn't exactly sure. But he was quite cheerful about it.

"Ah, kenbosho is very good," he said. "No need to remember anything anyway. My mind is becoming more empty and free every day! This is a very good thing. I like kenbosho very much."

After crossing Four Corners, the last 40 miles north up Highway 17 from Amoroso to Crestone, the road becomes totally flat, level, and straight for as far as my eye could take it to the edge of the car’s headlights. The night was very dark, with no light for miles; the sky seemed to be painted a deep penetrating purple that went all the way to the moon, but I didn’t really notice. I thought that we must have been late, and Baker Roshi might have been driving even faster, but it also might have just been my fear. I think we were riding in a BMW, but it might have been a Mercedes. I am not interested in cars; however Roshi's love of fast cars is legendary and actually got him into some trouble. He turned the conversation towards how German engineers make sure that the mechanics of the automobile are tip top because driving on the autobahn was very fast, and Germans demanded strict safety protocols and no speed limits. He joked, they at least needed the assurance of safety even if a ruse.

Suddenly the Roshi turned off the car’s headlights. It took a few seconds before my eyes adjusted. I was afraid. We were bolting up the highway at what seemed to be breakneck speed. After a few seconds, perhaps a minute, but certainly far too long in my judgment, Richard turned on the headlights again, and said with a little chuckle that we were lucky that no other driver had decided to turn out the headlights on their car to experience the beauty and depth of the dark night.  

I gradually regained my composure, but my perception of the night had changed. It opened up and I was so aware of the beauty of the night above the Sangre de Cristo Mountains. I was just part of a vast universe beyond any explanation. 

The Diamond Sutra says, “If there is even a bit of difference, it is the distance between heaven and earth.” If Deshan (Tokusan) had been a better student and actually understood before he went all out with his over-the-top melodramatic burning of the scripture, he would have saved generations of Zen students a lot of pain. But perhaps he thought that Longtan (Ryûtan) was equally dense, and the enthusiasm of a teaching moment simply overwhelmed him. It was I who needed to shed my unsentimental Jesuit training in order to catch the beauty of fire.

Within 25 minutes, we arrived on time to a waiting hall of people all sitting in good posture. I found my seat. The days rolled on; the sun came up; the stars appeared again. I heard the Temple bell ring, and I woke up.

I returned to Santa Fe with some other friends and quickly fell into a round of gatherings and holiday parties. I called Southwest Airlines and postponed my departure several times. I was having fun. 

Then, just after dinner at Robert Winson’s house, someone handed me the phone. It was Issan. He’d tracked me down. He asked how I was doing and how my sesshin had been. I told him that I thought Sante Fe was beautiful and just amazing with all the luminaria and snow.

“Oh yes,” he said; I remember his words exactly, “all those cute little mud houses. You know that the effect of sesshin can be like a drug trip, and it’s wonderful, but we need you here. Why don’t you come home?”

I called the airport and booked the next flight to San Francisco. It was time to return to my immediate experience of day-to-day life at Maitri Hospice where the moment of living life was always in the shadow of knowing that it will end sooner than we might have dreamed..

  

Daido Loori’s verse:

Within darkness there is light;

within light there is darkness.

If you really see it,

you will go blind.

Tarrant Roshi concurs.

"The Three Key B’s of Buddhism: Bowing, Boring and Bliss," by Phil Whalen & Ken Ireland

 

Phil with Allen Ginsberg and Anne Waldman at Naropa

Bowing, Boring, and Bliss

I recall a talk about “Bowing” by Zenshin Phil Whalen at the Hartford Street Zen Center. Damn, I loved his talks. He was, without a doubt, one of the most literate men ever to don the robes of a Zen priest anywhere, at any time. And if you want to challenge me, I’ll be suiting up on the Dalai Lama’s debate ground up here in McLeod Ganj. 

But first things first—I was going to try to record the talk, but I was my usual bumbling self with electronic equipment, and I couldn’t get the machine working in good time. Being his usual patient self, he yelled at me, saying that we didn’t have all day and, anyway, some things were just not meant to be recorded. Sometimes, words are purposefully impermanent. It was not like he was going to recite some goddamn hidden, secret sutra for the last time before he croaked.

So I lost the talk, but I am going to do my best to reconstruct it from the basic “B’s” as I remember them.

He began by saying that if he really wanted to write a bestseller, his publisher would insist that he come up with a title like the “The 10 Recondite Rules for Clean Buddhist Living” or something like that. So let’s give it a try: “The Three Key B’s of Buddhism, Bowing Boredom and Bliss.”  Perhaps Phil’s publisher was onto something. More than 20 years have passed, and I still remember long sections of his talk (it’s also true that, as with many teachers, he returned again and again to his favorite topics, like an old horse headed back to the barn).

When he was in Japan, in the monasteries and temples there, everyone bowed three times. People just always bowed three times. But for those who couldn’t count, he said, before he just sat down to begin his talk, he bowed nine times. We all bow nine times at Zen Center; why is that? Well, he said, when the first students gathered around Suzuki Roshi in San Francisco, they went to him one day and complained, “Roshi, we love you, but we’re Americans, and we don’t like all this bowing. We don’t understand it. So why are we doing it?” And the Roshi said with a smile, “Oh, so you don't like bowing three times? Good. Perfect. I think we should bow nine times. Better that way, More practice.”

So we bow nine times. Better that way. Practice.

Phil then told an anecdotal story about some legendary old Japanese teacher way out in the middle-of-nowhere backcountry who was revered for the callous on his forehead. He explained himself: one of his first teachers had scolded him for being stubborn and told him bowing would be a good practice. So he began bowing. He never stopped. He discovered that the body is stubborn and the mind is stubborn. He said that he would stop when he stopped being stubborn. So he just kept bowing and thus the calloused forehead. In one way or another, we’re all like that.

Then he said that Zen students actually have it very easy. In Tibet, all the new monks bow 100,000 times before they do anything. It’s called Ngondro, and it involves the whole body, not just your forehead, hands, arms, knees and feet touching the floor but your whole body flat out, like you were a swimming fish, and it’s so strenuous that it takes a lot of effort to reel back and bounce back up. Do that a hundred thousand times. I’m told that it’s a purifying exercise. But it’s not done with some idea of repentance like Christian pilgrims bowing every three feet along the Camino de Santiago. It’s done because we practice meditation with every bit of ourselves wholeheartedly, fully, without reservation, holding nothing back. 

And then he said that anyone who’s lived in Asia knows that bowing is just good manners. It’s a sign of respect. You tilt your body down, your eyes are not focused on the face of the person you’re greeting, and your whole body is lower. Of course, you’re going to bow lower to a king or abbot. There’s a whole book of bowing etiquette: you bow very slightly to someone who’s your equal, but your bow is lower when you greet your parent or someone who’s older out of respect. That’s why we bow to our teachers in a formal situation. We’re showing respect and love. And we show it by using our whole body and mind. Our mind bows down, and for maybe an instant, we’re slightly less arrogant. We have to throw every bit of being into the bow.

But the most important thing, and here is a place where I actually have Phil’s own words, from his notebooks from Tassajara, we have to make it our own. In the rule-infested monastery or practice center, we ask ourselves, are we “bowing to rules rather than using them? We must contrive to be Buddhas & patriarchs rather than students who are good at following schedules (and bowing).”

But you’ll notice, he said, we follow a certain order in the zendo—we bow to the cushion, then everyone else in the room, and we sit. How strange, bowing to the cushion. We’re not bowing to a Buddha or a person. You can think of it any way you want to. Sometimes, I like to think that I am bowing to the practice, but that is really way too abstract. Sometimes, I do it just automatically, without thinking much of anything. But in any case, we just do it. What you think about is probably not important.

Now we get to the B for boring.

We sit, and almost immediately after, we learn to sit with only slight discomfort. Our bodies become both more relaxed and more alert, and we get bored. We all have our own experiences, but I’ll tell the world I get bored.

But then the mind, it’s like fiddling with a bungled up ball of twine, if you try to untangle it when you’re frustrated or angry, the knots are just going to get tighter. You’ll be looking for a knife (He laughed). I’ve pictured the mind as a bag of worms or a net of living anchovies. But you get the point; it’s a conundrum, it’s a mess. It may be filled with ghosts or paranoia or algebraic equations. It doesn’t matter. Whatever it is, it’s just there, all tangled up. 

So there’s this big mess of thread sitting in your mind, and you just begin to play with it without much purpose, no rhyme or reason. You tug a bit here and notice that’s a bit looser over there, but you’re relaxed, and maybe you follow the thread to a knot that looks tight, but on closer inspection, it loosens up and falls away. And maybe after a while, there’s just a whole mess of lovely threads in front of you, and though you really don’t fully grasp how it happened, there it is.

Then the bell rings. 

I’ll end by quoting Mr. Robert Bly, who tells us to follow our bliss. Of course, Mr. Joseph Campbell has also told us to follow our bliss, and he did it on the Public Television Station, so it must be something worth doing. But I was watching Bly talk about it on the TV and found him quite interesting, if not persuasive—because bliss is not something I can buy, like the gummy bears I get at Walgreens. It’s just there. 

Some very fussy Buddhists might describe it as a fruit of meditation. If you hang out long enough, it’s just there because it’s always been there, but you wake up, or you open your eyes, or you open your heart. I’ll agree that it’s just there, and it really doesn’t matter how it got there. But this is something it shares with gummy bears: when you taste it, you know that it’s a gummy bear.

Sometimes, it might feel like something is lost in the process. Bly quoted a poem by Antonio Machado, which I quite like.

The wind one brilliant day called to my soul with an odor of jasmine.

The wind said, “In return for the odor of my jasmine, I’d like all the odor of your roses. ”

[Machado said,] “I have no roses; all the flowers in my garden are dead … ”

The wind said, “Then, I’ll take the withered petals, and the yellow leaves, ”

and the wind left. And I wept. And I said to myself, “What have you done with the garden that was entrusted to you?”

I think that’s enough for today. Keep bowing. Thank you.

Thank you, Stan

Stanley Robert Stefancic, age 86, passed away on Friday, June 28, 2024.

My deepest condolences to Marianne, Benjamin and Sandy, their children, and all Stan's family and admirers.

On June 15th, Stan wrote to me on Facebook: “Hi Ken, I’m sorry I can’t answer in more detail! But I want you to know that our relationship means a lot to me, Love Stan.” I knew about his grave diagnosis and suspected that this might be a short goodbye from a very dear friend. I wrote back as quickly as I could.

Dear Stan,

Circumstances have planted me on the other side of the world, which is a disadvantage when it comes to sitting with you, old friend, being quiet when appropriate, or chatty when the cat smiles. It’s what I would love most right now, but here I am in Bangkok, so this is the chatty part. This might be a long note, probably longer than necessary, but I hope it's not burdensome. My mind is racing over the years that we have known one another, flashing on the high points, our connection, the shared stuff, and the just plain weird. For some reason, we’ve had quite a bit of that.

I read your last short note and wanted to respond, but not in a way that demanded a response. There is nothing between us that needs to be said. I have nothing but love and admiration for you. We’ve shared more laughter and wonder than most humans can imagine. Thank you for that. 

I remember sharing lunch with you in San Anselmo almost daily over several years. It was not a lifetime of lunches like cranky old men, but enough to verge on that subset. I remember one or two of our haunts. I remember what you ordered, or imagine I do. We had our Thai place; I particularly liked the small cafe above the creek where you could hear water rushing down after the rain and the ice had melted. Now I sit in Bangkok. The monsoon is just beginning. I listen to the sound of rain; I want to sit with you, hang out, and feel your presence. I wish I could share it with you. It does all come down to wonder. Just wonder. 

It was a hair-brained idiot who brought us together. I have to thank him for something; you were always more hopeful than I was that something good might come from his work. For me, those days at the Institute were like being in a Light and Love prison where everybody knew the boss was a lunatic, but bills needed to be paid. Do you remember when he put that bust of himself in the entrance hall of his tacky house in the Oakland Hills and then complained that it didn’t make him look cute enough? That should have blown the lid off all the pretentious hogwash, but I was captive and, I guess, suffering a bit of Stockholm Syndrome. Many of our lunch conversations were about dealing with that insanity and its side effects. I passed through the car wash and emerged a living, breathing human. You did well. Again, thank you. What a gift. 

There you were on one side of the table, having finished a degree at Harvard Divinity, had churches and responsibilities, but as you told me, maybe preached about Jesus once or twice. There I was on the other side, having dropped out of two divinity schools with no degree, less belief, and no responsibility but wrestling with the shadow of Jesus. Jesuit egghead and Unitarian bricklayer, what a perfect pair. 

I might even have to admit to believing in karma when I learned that I used to go the race track with the father of your son’s wife, Sandy and that I’d met her when she was maybe six in Bennie and Betty’s house on 12th Avenue. That still blows me away. I even won the trifecta once following Bennie's advice, but I was never good with money. Maybe karma plays a role, or I’m just thick but sometimes lucky.

Stan, my friend, you are the Rock of Gibraltar. I mean solid, really solid. I can’t count the number of times I started to go off on some half-assed Quixotic tangent, and you'd caution me. “Remember, there’s a lot of Claudio in that” or another cogent reason to move more carefully. 

Our worlds are less bright and exciting without you. I will try to keep your memory alive. I am so grateful to count you among my friends. I do love you.

Issan’s Jesus Koan

 

Memories in a shoe box

23 April 2010

This story is really about the moment I realized what I always knew—that even my own meditation doesn't belong to me.

The line from the dedication in the Soto Zen service at a temple founder’s altar, “May the Teaching of this school go on forever,” is almost a cliché. Are there even answers to the obvious questions, “What is the Teaching of this school?” “How, or even why, should they go on forever?” The founder’s teaching is treated like an assumption. I knew Issan as a friend, a man dying of AIDS, a hilarious prankster even when he was in great pain, and a teacher who opened up a vast, new exploration for me. Of course, I harbor assumptions, and if I were to examine his life as if he were the token gay Buddhist saint in drag, that might be more of a blinder than an opening.

A student from New York Zen Center’s Contemplative Care Program contacted me about unearthing information about Issan’s legacy. He had been referred by Rev. Rusty Smith, the Executive Director of Maitri Hospice, or as it’s now called, “Maitri Compassionate Care.” Since the separation of Hartford Street Zen Center and the Hospice, I feared that a lot of material had been lost. Adding to the predicament, Issan loved the phone, but the written word was not so much: there were no notes from the dharma talks. There were a few snapshots from Del Carlson, a close friend, one dharma talk that had been transcribed, and, of course, David Schneider’s wonderful “Street Zen.” As for the rest, the kind of stuff that you don’t really know what to do with, the sentimental gifts stored in an old shoe box, personal memories of the way that he interacted with each of us as his students, his jokes, the outrageous stories that you might not want to share with your mother—and there were plenty of those, where could we begin to look?

In early Spring of 2010, I ran into Bruce Boone, a longtime student of Issan, outside the Café Flore, which is only a short walk from the Hartford Street Zen Center. After the usual “bring me up to date” conversation, which, sadly, included news of his longtime partner’s death, we began to talk about our friend. 

I try to be on the lookout for any expression of his teaching that feels genuine and not anecdotal gay-feel-good Buddhism. I turned the conversation to gathering Issan’s old students together and beginning to record our memories of how our friend really taught us. I cannot remember if Bruce thought the gathering was a good idea, but he shared a story that moved me.

One morning in North Beach, he’d walked into a quiet church, the shrine of Francis d'Assisi, with his teacher, a gay man who had HIV and knew that he faced an inevitable painful death. Bruce might have been trying to offer Issan a place of rest, or maybe peace and comfort, or he might have been acting as a kind tour guide to the hidden shrines of San Francisco.

When Issan saw the image of Jesus crucified, he turned to Bruce and said, “Oh, that’s me.” Bruce, a former seminarian, said it brought tears to his eyes, but as he told the story, Issan spoke in almost an off-handed way. His tone was flat, and Bruce knew the remark was entirely serious. He called it “Issan’s Jesus koan.”

I knew that Issan had been raised as a Roman Catholic in the traditional Irish-American way, and as a young adult, he’d left the rank and file of practicing Catholics. I think that “reject” would be too strong a word. “Neglect” might be better, as in “hardly enough time” for the more pressing things in his life, running a commune, cleaning house, finding the perfect dress with the right hairstyle and make-up, and eventually drugs. But I had no idea how he held his inherited beliefs. Now facing pain and suffering, he was confronted with a familiar image from his impressionable years in a suburban catholic parish in Santa Barbara, and there it was—just recognition. It sounded almost matter-of-fact.

Bruce’s words kicked something loose in me—the cross as a koan? It had been almost 20 years since Issan died, and Bruce still held this story about Issan, one for which he had no ready answers or explanations in a loving way. Then he said, “Even those brief moments while I sat facing the wall when everything seemed clear as a bell, those few deep experiences have only begun to open up what he might have meant.”

Then I got it: Bruce has been sitting right next to me and meditating for me. He’d handed over the fruits of his zazen without a second thought. They were mine. How generous. Generosity is a necessary condition for sharing my meditation with the person sitting next to me, but I don't want my thinking too much to get in the way. It just happens. It is the path that the Zen ancestors have always used to transmit their experience to us. If it's a mystery or even a slippery slope, so what?

Hakuin Zenji’s hymn in praise of meditation contains the verse: “From dark path to dark path,” which seems an inescapable part of our human experience. But we can also sing “From bright path to bright path!” I’ve had moments when I saw clearly that the meditation experience is not a solipsistic self-generated enlightenment. I would be more than willing to congratulate myself for all the good effort that I have been making over many years in practice, but what if it weren’t necessarily so? What if the work has already been done or is always being done? Bruce has been working on Issan’s koan for more than 20 years, and all I did was stand next to him on the street for a few minutes. The Teaching of Issan's school has lived on for almost 30 years. Wrapping my mind around “forever” seems just a step away.

My friend Ken MacDonald added more lyricism to the Soto dedication at the closing of the founder's service:

"These teachings go on forever;

on and on they flow,

without beginning or end".

To read more reflections about Issan's life, see some photographs, and listen to a dharma talk, go to my page, The Record* of Issan.