Did Carlos Castaneda’s don Juan actually exist?

Syncretism, Syncretic Occultism, Carlos Castaneda and the Monetization of the Occult

When asked by an interviewer if don Juan Matus actually existed (as well as straightening out some inconsistencies in his personal biography), Carlos Castaneda replied, "To ask me to verify my life by giving you my statistics ... is like using science to validate sorcery. It robs the world of its magic and makes milestones out of us all."

What I take this to mean is that the Yaqui sorcerer don Juan was a convenient fiction made up by an anthropology student with a vivid imagination and a few too many peyote buttons. But Castaneda was a compelling story teller and we all believed it---and bought his books. It is not surprising that he and Naranjo became friends. He visited the early SAT groups, and perhaps used Naranjo’s group process to create his own Tensegrity, “the modernized version of some movements called magical passes developed by Indigenous shamans who lived in Mexico in times prior to the Spanish conquest."

One very deep root of the modern Western Enneagram teaching is the small world of Latin American esotericism and its deep, though convoluted connection with native shamanism. Naranjo’s own story is tied up with that of Ichazo who was never very clear about his sources--usually some version of the story of stopping for lunch at an ordinary wayside ristorante in Argentina and the waiter handing him a note from a group of ordinary-looking men sipping afternoon aperitifs while exchanging the latest in their research of the inner workings of the human psyche. Another partially verified story is Naranjo’s journey to Arica Chile where, after some vague initiation into a mystery cult, receiving instructions from a Bolivian esotericist named Oscar Ichazo who by the way was guided by his spiritual guide, the highest Archangel Metatron, Naranjo went out into the Atacama Desert for 40 days, the driest place on the face of the earth (drier than the place where Jesus stood down the devil in his 40 day retreat). There he told us that he went through a rebirth experience, and that having been trained as a medical doctor, he could recognize all the stages of the embryo being formed, the organs beginning to function, etc. I remember at the time wondering how high he was when he told that tale, something about his intonation, and phrasing.

But I did believe that Don Juan was real until the raccoon encounter.

Naranjo’s house was down on the Berkeley flatlands. I can see the house clearly in my memory and almost remember the exact address--14 hundred something Alston Way. It was not in those days all gentrified but a modest, even run down neighborhood of California bungalows. There was a small creek that ran at the back of the property, and Claudio had thrown up a shack, his study house, on its edge. Carlos and Claudio were doing some kind of drugs, and a raccoon came and sat by the screen door watching them in a rather intense way, or so they said. Castaneda was sure that the raccoon had been taken over by a spirit being to deliver a message.

Guys, you were high and tripping out on a raccoon looking for a yummy garbage dinner. I'm not using science to validate sorcery, but I am suspicious of the drugs.

 

Your Way, Our Way or the Highway? A Cautionary Tale.

A friend told me that he received some advice from a Daoist master. I automatically distrust some Western dude sporting an ancient Chinese title. I immediately think it’s an esoteric label to make him credible. Honestly I can’t really say that I understand what Daoism is, and I certainly haven’t the faintest idea of what it might have been meant in China in the 6th century BCE, but I’m equally sure that Master X has no secret information. The friend of course didn’t actually repeat his Taoist teacher’s advice. I’m sure that I would be required to fork over a handful of cash before I had the pleasure. We are a gullible lot. 

When I investigated my initial response, I discovered two basic questions: First, what prejudices spark my immediate response? And second, what criteria can I use to trust a teacher and what he or she teaches? These are separate questions. It is important not to discover one answer and think that it provides a solution to both investigations. It is easy to conflate the answers: Just because I have discovered that I am distrustful for X reason, the teacher and his or her teaching is not automatically trustworthy Or the flipside: Because I find this or that teacher personally trustworthy, therefore my suspicions about his or her spiritual lineage must be mistaken. 

These questions are separate but interrelated: How can I recognize what I call “authentic” practice; and what makes a teacher trustworthy? They bite their own tail. Some people, even trusted teachers, have counseled me to trust my feelings. But when I honestly examine them, I find a twisted mess. I was told to just sit and they will sort themselves out. I sat. Perhaps a few of the knots disentangle, but oftentimes no clear direction emerges. Judging by the solutions that appear in real time, there are no easy answers. 

In what I see as an attempt to deal with this dilemma, sometimes in western Zen circles we practitioners get lost in a lot of talk about “our” way, the Rinzai Way, the Soto way, the Right Way and the Wrong Way. This jabber is barely distinguishable from cultish blabber. 

In 1990 when nearly 100 men were dying from AIDS in San Francisco every week, I was talking with a bright, engaging woman who came to sit zazen at Hartford Street. She asked some questions about the Hospice and Issan. I invited her to come back, perhaps become a hospice volunteer. She begged off, explaining that she was very involved in her practice at “the big Zen Center.” I remember her words exactly. “We do the real Japanese Buddhism: we bow at everything every time we turn around.” I confess to having a few judgmental thoughts. While we were cooking for dying men, and sitting with them when they took their last breaths, she was bowing in every doorway and to a statue at the top of every stairwell.

Perhaps there was something about the dying, knowing that you’re dying and the emotions that stirs up. I cannot say. Several of Issan’s close students didn’t visit him when he was dying. Some actually disappeared when he started to get sick later explaining that they couldn’t bear seeing him suffer. I met him when HiV started to ravage his body and mind so that is really the only Issan I knew. It was his gift to me, and my good luck. But on the other hand, when I listen to stories of Issan at Tassajara or at Zen Center, Green Gulch or Santa Fe. I am certain that dying Issan was the same man dedicating himself diligently and completely to the practice.

I never saw the woman again. She never met Issan. At some point she might hear stories at Zen Center about him. In my gut I feel that she missed an opportunity to experience a man who lived out the teaching until his last breath, but I also know that Issan would never have faulted her for avoiding him and bowing every time she turned around. He was so non-judgement and tolerant. I also admit to applying a little pressure on the woman--I needed help at the hospice--and I also admit to feeling slightly superior in my role running the hospice which was of course real practice. I can’t set my experience center stage for applause, but on the other hand, I need to avoid rote answers, or getting caught up in some cultural forms that I don’t understand as if they unlock some esoteric secret. 

Quick change of scene

Listening in on a recent discussion bemoaning the death of Zen in Japan--so many first-son priests escaping the lifeless tedium of administering the family's temple business, my mind went back to a morning I spent looking over the library at Hartford Street, searching for a book that might unlock the mystery of the universe. Trained as a Jesuit, I hoped to find an answer, even a coded one, recorded by someone at some time in some place that might point me in the right direction.

I picked up a volume and read about the third and final destruction of Nalanda, including its vast library, and started a conversation with Phil Whalen. I was more horrified at the loss of the sutras, mahayana texts and commentaries, including all the works, notes and who knows what else of the pivotal scholar Nāgārjuna than I was by the wanton murder of thousands of monks and teachers. I blurted out something about the horror of burning books to Phil who was sitting in his chair across from me. He just looked up, smiled and said, “Don’t worry, kid. They left us enough, just enough.”

But Muhammad bin Bakhtiyar Khalji is not alone in trying to destroy the dharma by burning books and killing monks and nuns. Beginning in 1950 Mao and the People’s Liberation Army systematically destroyed monasteries and burned as many sacred texts as they could lay their hands on in Tibet. In 1868, the Meiji Restoration began the campaign of Haibutsu kishaku (廃仏毀釈), literally "abolish Buddhism and destroy Shākyamuni," which led to the wholesale destruction of Buddhist temples and monasteries as well as sacred texts. The Taliban destroyed huge ancient Buddha statues in Bamiyan Afghanistan early 2001 which shocked the world and was soon followed by the regime’s defeat, but it did not prevent them from reasserting their hardline earlier this year.

So while I deplore book-burning and destruction of religious art, their preservation is not a necessary condition for our practice. The loss of cultural Japanese Buddhism, centuries old beauty and tradition, including bowing to everything all the time, is a real loss, but I might have to let it go.

How much remains? Just enough if they left an instruction manual or we figure out how to use it.

"The End of the Rainbow"

Over thirty years ago at the height of the AIDS epidemic, Steve Allen asked Issan, “The world is ending. Where is the great peace when we need it?” 

The setting was the formal ritual in which Issan took the high seat of a recognized Zen teacher, his mountain seat. Did Tenryu imagine that he was simply cementing his relationship with his root teacher or does the question have the ring of another truth? 

Let’s examine the question: though he used the editorial we, was it Steve who really needed to find great peace? And when he said that world was ending, was he exaggerating, being melodramatic or trying to make a point? Issan couldn’t solve Steve’s dilemma for him though he might point him in some direction. He remained silent.

After the room got quiet, Issan turned the question around, and asked Steve, “Where do you think we can find it?”

Steve answered, “We find it with each other.” 

In Zen circles, a student’s question has been known to bring forth a deeper understanding of his or her teacher, but the teacher might also snatch the chance and apply some pressure on his or her student to dig deep and find their own answer, a way to liberate themselves. Our connections with each other are not limited to one way questions and rote answers.

Steve’s answer was pretty good. It was the answer that he needed. It was also one that Issan sprang from Issan's own practice. Issan really did find peace with others. But it was also an answer searching for something that Steve might have been looking for without realizing it. An answer that contained questions that he didn’t even know he had. Steve was not evading the deeper question, and I can guarantee that Steve wasn’t making up an answer to look good.

Is the guest who arrives at the door a friend or foe? We can’t know, given that for most of us our circle of friends is limited to the mother-in-law who is slightly off kilter, or the old drinking buddy who keeps mistaking a missed opportunity for a good time, “Remember the night when we had to crawl home,” forgetting the bloody cuts of scraping over broken bottles and dreams.

Isssan’s response would be to welcome the mother-in-law, the old buddy and the stranger equally with a big hug. Muhammed also welcomed all his guests, whether they were friends, family, or strangers. The Prophet entertained them himself in his house. Sometimes, a lot of guests arrived. He would give all of the food he had to them and he and his family would spend the night hungry. He would wake up at night and ask his guests if they needed anything. He and Issan were alike in this regard. However, the Prophet put a three day limit on hospitality. If the guest overstays, it then leaps into the world of charity, which is something else. Issan couldn’t count or chose not to.

That precious flaw gave the birth to Maitri Home and Hospice for People with AIDS.

The ancient ritual of the Mountain Seat required that Issan demonstrate the immutable stone face of one mountain, but his follow up question revealed a heart of gold. When the end of the world gets in your way, follow the way that brings us together. When the storm clears, it may lead us to the end of the rainbow.

Be careful Steve, you might get what you didn’t bargain for. None of us do if we’re lucky.

(left to right) David Bullock, Del Carlson, Angelique Farrow, Steve Allen, Issan Dorsey

"Too Many Words"

 

What I learned from Phil Whalen about writing.

It's a matter of some reassurance

That we are physically indistinguishable from other men.

When introspection shows us

That we have different degrees of intelligence

Varying capacities for knowing morality

We lose something of our complacency

    --Scenes of Life at the Capital

One morning in July of 2022, Google’s algorithm decided that I needed to hear James Dalessandro, bestselling novelist, journalist and filmmaker, tell me about ”The Beat Poets and the Summer of Love.” Or to do justice to the algorithm’s intrinsic value, I was to pay 25 dollars to listen to Mr. Dalessandro’s wise words. When I read the blurb, he told me that Lawrence and Allen and Jack would spill light on the short lived revolution. 

In 1967 more than 100,000 young people descended into the Haight-Ashbury, donned tye-dyed tee shirts or just stripped off their clothes, took lots of drugs, had lots of sex and proclaimed a new age. The Summer of Love was also the end of Phil's sojourn in Kyoto, so it is possible that he had returned to San Francisco. But Jack had already departed the scene, renounced a lot of the Beat philosophy which he thought just gave people permission to be spiteful. I think it highly unlikely that Phil would have shared his friend Allen’s enthusiasm for a revolution. Phil’s hedonism was more restrained. Very much more actually but that didn’t stop him from loving Allen. 

Still I find it abhorrent that the Road Scholar Scholar didn’t include Phil; perhaps the platform insists that their experts focus on hot money makers. 25 bucks is 25 bucks.

I lived with Phil for about 4 years after he’d received dharma transmission from his teacher. I sat with him in sparse zendo, recorded his talks, got yelled at, went to sesshin, sewed a rakusu, listened to his gab, went with him to Walgreens and took lay precepts under him. I was as close to Phil as most of zen friends, except for the very few he really allowed into his life, Allen for one, and I know that he was in love with Lew Welsh, but aside from that, Phil was a lone wolf. We could be friends, but when I got to a place where real intimacy might have been possible, he ended it abruptly. I know others who had the same experience. He wrote “When introspection shows us/ That we have different degrees of intelligence,” and he thought of himself on the high end of that scale.

And despite his remarkable intelligence and way with words, Buddhist Phil could be incredibly dull. He once taught a class on the Heart Sutra and my head didn’t burst with the astounding insight into the interplay of form and no-form, full and empty, thinking and the end of thinking. I had to fight off sleep. Phil preferred his Buddhism boring. He could be as doctrinaire as any squawking human being, and then some. Today however, as the clouds drift down from the mountains, and internally I begin to count between the thunder and the faint flash to locate where it has struck, I am reading his verse with joy and gratitude. He was a genius. 

Morning is fading and the clouds have covered Moon Peak. I can only see as far as my closest neighbor, a small Indian hotel called “Heaven’s View,” 25 meters to the East. Monsoon is closing in. When I knew Phil and was his student, his eyesight had failed to the point where, if I can weigh his words and match it with what I can recall of his gait and gaze, he could only see vague cloud-like formations, and that had to be enough. Misdiagnosed glaucoma would take away the joy of seeing words dance on the page. He was not resentful, or if he was, he didn’t show it. The more immediate concern was how words, which had been the center of his life, the real source of his joy, would continue to nourish a voracious appetite for clarity. It was also an inventive appetite, so we experimented. I was enlisted into a small army of amanuenses. 

We would read to him. I could see him concentration latch onto a passage and hang there. Sometimes there would be a request to return to the beginning of a passage. We could not stop until instructed or we heard the han for zazen. 

Once in while there would be a request from some recondite journal which Phil could never turn down. It usually meant reworking an older prose piece. There would be no more poems. He would find a short piece that came from years back--one that I remember was about dancing around a bonfire on the beach near Bolinas. I read it once. Phil had me shift the order a few clauses, then I read it again. We put some back into their original order. I read the passage again. And then again. Finally in what sounded almost like a sigh, “Too many words. Too many words.” That was the point where work began in earnest.